figuring out why it isn't for you is a concern. then you get someone with a bit more experience in the video applications.įor most of us, the proxy setup works quite nicely. as soon as you get a live person responding, ask for the Video queue. For both, the Adobe DVA (digital video/audio apps) Product Support manager Kevin Monahan always says. If I can't solve this, I think I'll have to just edit the proxy files directly and then hand-switch them for the 8K files for color correction, which will take hours and be error-prone.Īs to general PrPro support, for those on the CC programs, there are phone and "live chat" options.
#Ipsecuritas not starting full
mov file directly as its own clip and throw it in a sequence, it plays back buttery smooth at full resolution.Īny ideas? This makes my project utterly uneditable.
So here's how I know for sure that this is a Premiere problem and not something else: if I import the same proxy. Tried then offlining the original footage, just in case it was trying to read that for some reason. Tried moving the proxy to the MacBook's blazingly fast internal SSD-no change. Tried throwing it into a 1920x1080 sequence and scaling it down. Tried throwing the clip into a sequence just in case it was trying to play the original instead of proxy from the project pane, but same result. Made sure the Proxy button is blue and played back, and.horrible choppiness. The Red creates 1920x1080 ProRes 422 proxies along with the raw footage, so I attached that to the clip.
I've just imported a test clip of my 8K R3D footage. I'm running a MacBook Pro 2016 13" with the latest Premiere Pro CC.
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